Fates and furies
Fates and Furies: A Novel | Lauren Groff | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Bücher bei sgiude.nu: Jetzt Fates and Furies von Lauren Groff versandkostenfrei online kaufen bei sgiude.nu, Ihrem Bücher-Spezialisten!. 8. März Titel: Fates And Furies Autorin: Lauren Groff Sprache: Amerikanisch Format: Hörbuch Sprecher: Will Damron, Julia Whelan Verlag: Penguin. At age twenty-two, Lotto and Mathilde are tall, glamorous, madly in love, Every story has two sides. I love this novel for all the ways it is ambitious, melodramatic, vertiginous, erudite, wordy, cynical, lush, kaleidoscopic, implausible, abstract, and tedious. However, I really dislike anything that is heavily "anti-marriage". I was interested in the story about the married couple. I hadn't read anything else by Groff, but I've had Arcadia waiting on my shelf for a long time which I will definitely get to chelsea - liverpool soon. Nov 15, Jenny adultishbooks marked it as dnf. With cruelty and tenderness. Unfortunately, because of my general disinterest in stage plays, Greek mythology many character names are twists on the gods' namesand the IMO shallowness of the characters, I got to know the husband but never really cared about him. A generalisation of course. The novel is split into two perspectives of the same marriage — Lotto, the husband the fates and Mathilde, the wife the furies. I felt the beginning fates and furies very strong Even from her impossibly high starting point, Lauren Groff just keeps casino usa online better and better. But once I fell in step Tiki Paradise Slots - Free to Play Online Casino Game her beat, I didn't want to let go. The building up of a 20 year marriage. This 2 bundesliga online about a s novel is a stub.
Fates And Furies VideoREVIEW
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Please be as much descriptive as possible and include details such as Browser type Chrome, Firefox, Lotto and Mathilde get married after only knowing each other 2 weeks.
Before the marriage, Lotto had been exceedingly promiscuous with both women and men, but he immediately settles down completely upon meeting Mathilde, gives up his promiscuous ways, and never comes close to cheating on her throughout their marriage.
I suppose this is within the realm of possibility, but Groff changes Lotto so completely and instantaneously that the change just does not ring true.
The prose is just horrible and ludicrous. At one point, Groff provides a list of the items in massive garbage heap floating in the sea: Does she even know what taxidermy is?
Is she just throwing words on the page randomly? Fickle, inconstant, that monthly changes in her circle orb" page I get the Shakespearean allusion, but still: Lotto and his sister, Rachel, refer to their mother as "muvva.
Lotto and Mathilde have a dog named God. Yep, that's just hilarious, isn't it? It's not that I'm offended by this; I'm not.
I just think it's dumb. Really, really, really dumb. Trying to describe an idyllic scene at Mathilde's grandmother's dairy farm in France a grandmother who, we are told earlier, sold blood sausages on the black market in France during World War II--that's not even a thing: Groff thinks this is a good thing.
Ummmm, so if the milk tastes like manure, it's contaminated! That's nasty and gross. That's not how milk is supposed to taste.
I'm a vegan and even I know that milk is not supposed to taste like bovine excrement! Mathilde takes a high-performance Mercedes for a drive at night.
She turns off the headlights and speeds up to mph. She hits a culvert and the car somersaults. Other than biting her tongue pretty badly, she is unhurt.
We get insightful wisdom like this via Mathilde's thoughts on page Groff is not a completely inept writer. Near the end, we get this gem of a sentence: Vulgar language does not offend me.
This is supposed to pass for good literature? Okay, so I won't go on any more. I hated everything about this book. Even two of the supposed startling secrets near the end view spoiler [Lotto had a son when he was 15 that was given up for adoption and who then shows up at the end of the novel after Lotto has died and has sex with Mathilde; Mathilde, when she was 4-years-old, seems it's left a bit vague to have intentionally pushed her younger brother down the stairs, which killed him hide spoiler ] left me cold and bored.
This novel is just terrible. Seriously, do not read this pretentious hokum. Book-1 Shelby-0 I hate this book. There I said it. I keep trying to read it and then I look down and it says I still have soooo much time left in this book.
I'm never going to finish. The only character that I'm somewhat interested in is Chollie. The rest of them are just pretentious hipster assholes.
Netgalley in exchange for review I'm probably totally missing out by not making myself finish this book. I'm still not gonna do it but my friend Leanne loved Book-1 Shelby-0 I hate this book.
I'm still not gonna do it but my friend Leanne loved it and wrote a beautiful review for the book. View all 89 comments.
May 07, Debbie rated it really liked it Shelves: Language to die for. But why did it take me three weeks to read?
This is a complex love story, full of secrets and regrets and passion. It is absolutely brilliant. Yeah, so why DID it take me so long to read this?
Take a peek at my Complaint Board: At the end, I got to a brilliant twist! I knew it was brilliant, but wait….. I could search the names and get transported right back to the scenes where the characters were mentioned.
Oh yes, now I see…. Just too long and dense. The sentence structure, though gorgeous, slowed me down. This can be problematic; see my first complaint.
Cut out the plays. Super confusing to me. And one hostile conversation where a woman is called a total vagina and later a pig face seemed over-the-top and unbelievable.
Would people at a party actually say such things? Super minor, but annoying: Give me a dictionary! I like learning a few new words, but there were a LOT here, sometimes two or more to a page.
Reading this would be a great way to learn vocabulary for the SATs. The wife is more dynamic and complex than the husband. Luckily, her story is the one at the end, so the joy flows as you read on.
Now for the good—no, the incredible—stuff. To start with, the characters are so vivid, I felt like I really knew what makes them tick.
They are complex, intriguing, flawed. The third-person narration made me believe it all; there were no unreliable narrators to make me worry that any of it was false.
This was so clever! I mean, I love a good unreliable narrator, but here, it was cool the way the narration made everything believable.
I felt like I was in the in-crowd; it made me feel lucky and privileged that I was getting the real scoop. Groff is wise and her ideas are fresh.
Some sentences made me ponder with glee, even if I did have to read them twice! And I ate up the language and the images.
Here are a few quotes, to give you a taste: He is deformed, crooked, old and sere; ill-faced, worse bodied, shapeless everywhere; vicious, ungentle, foolish, blunt, unkind; stigmatical in making, worse in mind.
It was a cover for poor hygiene or for body shame. Clean people never aspired to the floral. No marriage is what it seems, and this one is no exception—there are secrets and sorrows and guilt and failures.
Insecurities, vulnerabilities, misunderstandings, and missed opportunities. The characters are often underground, not exposing their real selves—neither their feelings nor actions—to each other, though their mutual love is intense.
If you give voice to the things you think every day about your spouse, you'd crush them to paste. She never lied, just never said. Groff deftly shows us the history and motives many of which are doozies behind the scenes.
The second part is what makes this book sing. The story made my mind jump, made the book sort of interactive in a cool way, in that as I read the second half of the book, I would naturally remember back to the first way the story was told.
It made my mind love the play of back and forth, as I looked at two versions of one event—pure delight. But, as I said, this was a slow read, especially the first part.
I still think this book is phenomenal, and I think it deserves awards. View all 60 comments. Also still metabolizing who she was given the little bump when she was only 4.
Nov 07, May 27, Joodith rated it did not like it Shelves: It's not often I say I hate a book, but I absolutely hate this, and yes, I realise I'm sticking my neck out, and I'll more than likely be in the minority, but c'est la vie.
He calls his mother Muvva! They are beautiful of course - who wants to read about plain or ugly people? The prose in this book is so over the top, so flamboyant, obscure and ostentatious I just cannot stand it.
This particular passage had me cringing: She stretched her long arms over her head, and there were little nests of winter hair in the pits. She could hatch baby robins in those things.
She looked at him, savoring her own knowing, his unknowing. Does this author think it's clever to write this way? I don't know if this her usual style as I haven't read anything of hers - and this certainly does not encourage me to read her earlier books.
It's another case of throwing every word you know, whether it actually makes sense or not - but never mind, it looks impressive.
I don't doubt that Ms Groff toiled long and hard over this, in an effort to write The Great American Novel, but to me it comes across as self-indulgent fiddle-faddle.
Described as "a literary masterpiece that defies expectation. Who is it who decides what I, the reader will like; who is it who calls this a masterpiece?
Those of us who don't agree are already at a disadvantage as we will be expected to explain and justify our reasons, whereas those who agree can sit back smugly.
I dislike this book intensely. Amazon sent me a free copy speficicaly for review purposes. View all 23 comments. Jul 01, Carmen rated it did not like it Recommends it for: No amount of beautiful language can gild this piece of shit.
View all 50 comments. Jun 30, Lark Benobi rated it did not like it Shelves: People want to lick other people's faces way too much in this novel.
Like, once is enough for that particular gesture to occur to a character out of the blue, don't you think? You may disagree but personally I don't think most people have regular thoughts about how they want to lick one another's faces.
So to have characters think somewhat regularly or even more than once about licking one another's faces, in the same novel, felt odd to me.
Indeed I have many questions about this novel. My main People want to lick other people's faces way too much in this novel. My main question is: Because it's not just the licking, let's face it, it's the whole damn book, every sentence, that feels gloopy, and a little gross.
You may find yourself reading along like I was reading along, thinking that this language sounds great and witty.
But at some point, unlucky you, you might just slow down enough listen to these particular words on the page in front of you, and you may eventually find you are pondering their meaning, instead of just being carried away by their sense impression.
And then, well, watch out, because the rest of your reading experience will be wondering what the heck the author meant to say.
People in this novel say things like "My family traded me for three mules and a bucket of butter" and "Bridget is to dating Lotto the way a remora is to dating a shark.
Then this novel is for you. Eventually I stopped saying to myself "wow how original" and started saying instead "but wait, that actually doesn't mean anything" and even "Of all the silly nonsense, this is the stupidest tea party I've ever been to in all my life.
That's about my take. Try reading it yourself and see what you think. Everyone else seems to think this novel is heart-palpitatingly amazing and you might agree.
View all 47 comments. May 02, Elyse Walters rated it really liked it Shelves: On the positive note I was interested in the story about the married couple.
I think this book is an excellent commentary on marriage The author captures each character's individuality I like much on this story-- yet..
I'm aware I was often 'detached'. This was not a book for me- that kept me turning pages wit 3. This was not a book for me- that kept me turning pages with urgency.
I enjoyed it reading this novel - but enjoyed my breaks away from it equally as much. I seemed to require reading breaks to recharge my own energy.
Something about this story would begin to drain me. I often 'did' return to my reading with a bright freshness.
I felt the beginning was very strong Yet, after a while, I felt there were too many mind-numbing details that started to suck the energy from the story.
The writing frequently failed to keep my attention. Although I felt I got to know the characters pretty well. I didn't feel strong emotions. I was't 'feeling' any human frailty, or sadness, or joy Possibly if this novel wasn't as long I might have had a chance to directly feel more about each of the characters..
This is a big- long- lush- slowly progressing story It's also possible - that this story may grow on me as time goes on. I'm aware that 'sometimes' books are enhanced for me once I begin engaging in book discussions.
This might just be one of those books! Thank you to the publisher, Netgalley, and the author, for allowing me to read this.
View all 73 comments. The ability to have the courage to mend the cracks that appear in an alarming speed as the years go by. Now, in the marriage of Lotto and Mathilde, the cracks are there from the beginning.
Especially in Lotto and all they have to do is to ignore them and move on. But Groff's novel is completely devoid of cracks or any other fault for that matter.
In fact, it is plain and sim ''There was an enormous crack in the world. In fact, it is plain and simple, one of the most interesting, daring and honest books I've ever had the pleasure to read.
I chose to read this novel, guided by the raving reviews of many beloved friends here, in Goodreads, and attracted by the claim that Groff had been inspired by Ancient Greek Tragedy.
I was surprised to see that this is not just a very well-written love story, but also an immensely beautiful trip down the historical changes that New York and its society underwent from the early 90s all the way through our troubled present.
To do so through the eyes of a squad of artists, in all their vanity and sensitivity, was satisfying and, frankly, hugely entertaining. Groff touches upon so many subjects, one wouldn't know where to begin.
The way I see it, the main themes are love and aspirations. We witness a relationship that starts in a rather unorthodox way. Lotto and Mathilde get married out of the blue and then, they have to learn how to live together, how to fight the daily problems, how to know each other and come to understand themselves in the process.
Their relationship is presented in such a beautiful way that even a sworn enemy of marriage such as myself has to take a step back and contemplate for a while.
However, in my opinion, the notion that lies at the heart of the story is the way our aspirations influence our course in life once they are fulfilled or-worse- once we realise that they have become dreams of a past that is slowly fading away Groff's writing took me back to the time when I was studying, when me and my friends thought that we would be able to change the world once we graduate from university.
Instead, we slowly found out that the world actually changed us. Worries about our families, our work, our financial status, our relationships with our loved ones, all those things that make you feel you have entered the universe of the adults and their responsibilities.
Lotto, in particular, changes route and tries to fulfill his ambitions from a different starting point. She remains the steady rock that binds him to the present and holds their life together.
Mathilde makes the decision to stop working after Lotto's success -which took a long time to take place- and becomes the wife who cleans, cooks, etc.
Perhaps, she didn't want to follow her dreams, after all. Perhaps,she found fulfillment through the role of the lady of the house, perhaps she needed to cast away her own demons of the past.
I don't know and I don't judge her. I respect it, but I don't understand it, and it was at that time when I felt that the book was too centered to Lotto and his actions.
This was too harsh of me, but I couldn't have foreseen the great bomb that exploded and shuttered everything to pieces The language she uses is so powerful, so immediate, so creative.
The style is unique, a third-person narration, with some slight but intricately woven hints of stream of consciousness. The dialogue is sharp, without unnecessary words, the pace leaves you breathless in a story that spans over twenty years, centered on two people.
I enjoyed the New York colloquialisms and the fact that I could see and feel the changing city over the years, changes that were depicted in the characters and their interactions.
What is the most fascinating element in this novel? For me, it is the title. It had me wondering. The notion of Fate lies at the centre of the Greek tragedies, the three women who controlled and, eventually, cut the thread of all mortals' lives, the Moirai: Clotho, Atropos and Lachesis.
The Furies, the Erinyes, were wild, winged female deities. Alecto, Megaera and Tisiphone. They hunted and haunted the wrongdoers without mercy, for the rest of their lives.
Orestes is the well-known example, punished for the murder of his mother, Clytemnestra. So, Fates and Furies are our daily escorts, from the moment we are born until the day we depart from this world.
They are the two sides of the same coin and Groff uses them in such a successful way that would make Euripides, Sophocles and Aeschylus proud I was reading this book while I was commuting to work and back.
There were instances when it almost slipped off my hands out of sheer shock, others because of my anger caused by certain stupid decisions of the couple.
I don't know how can anyone read this novel and feel absolutely nothing. I think it's impossible. One cannot remain indifferent in front of life and Lauren Groff takes life's notions, twists them and awakes every bit and every kind of emotion to the reader.
It is a book that speaks with a voice of anger, despair and hope, and we feel compelled to listen View all 24 comments. May 02, Esil rated it it was amazing Shelves: I started reading Fates and Furies a few times and my interest quickly waned because the writing felt impenetrable.
But this time I forced myself to read beyond the first few pages, and after sticking it out for a while I got completely sucked in -- by the writing, the concept, the atmosphere and the story.
Groff's writing is unusual, both in style and in pacing. Her sentences feel messy and there's an arrhythmic staccato to the way in which the story moves forward.
If, in the end, everyone is flawed, everyone also attains a kind of nobility. The result is not only deliciously voyeuristic but also wise on the simultaneous comforts and indignities of romantic partnership.
Read it, relish it and be sad when the ride is over. So do her words, phrases, and sentences, which bubble up like poetry.
Fates and Furies will induce such reflection. Lauren Groff is a powerful and graceful writer, one of the best of her generation.
Buy the Audiobook Download: Apple Audible downpour eMusic audiobooks. Add to Cart Add to Cart. Also by Lauren Groff. Inspired by Your Browsing History.
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September Learn how and when to remove this template message. Retrieved 24 November A masterful tale of marriage and secrets" — via washingtonpost.
Lauren Groff's love story has a furious subtext". The New York Times. The Wall Street Journal. Retrieved from " https: Wikipedia articles with style issues from September All articles with style issues Pages to import images to Wikidata All stub articles.
Views Read Edit View history. This page was last edited on 2 August , at Fates and Furies is a clear-the-ground triumph.
Meet Mathilde and Lotto. Measured by its narrative tricks, however, it is a Trojan horse. If, in the end, everyone is flawed, everyone also attains a kind of nobility.
The result is not only deliciously voyeuristic but also wise on the simultaneous comforts and indignities of romantic partnership.
Read it, relish it and be sad when the ride is over. So do her words, phrases, and sentences, which bubble up like poetry. Fates and Furies will induce such reflection.
Lauren Groff is a powerful and graceful writer, one of the best of her generation. Buy the Audiobook Download: Apple Audible downpour eMusic audiobooks.
Add to Cart Add to Cart. Also by Lauren Groff. Inspired by Your Browsing History. Related Links Contact us about speaking engagements with Lauren Groff.
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